Russian Circles Continue 10th Anniversary shows with Mamiffer on West Coast

Russian Circles will play their last show of 2014 in Denver, CO on December 27th at the Gothic Theater. They have also added some more Tenth Anniversary shows on the West Coast and Pacific Northwest with Mamiffer joining them for those. Finally on January 30th they will play their hometown of Chicago at the Metro with special guests to be announced - tickets for all shows are now on sale at links below.

Also just announced are the Spring 2015 EU/UK Tour dates with Helms Alee joining them for all including Roadburn Festival.


4 New Shows Announced in December

Post-metallers Russian Circles are going out on a short tour with their Cave In/Converge-related label mates Mutoid Man this December. The Sargent House acts are playing shows in Cambridge, Philly and a Brooklyn stop on December 11 at Music Hall


Russian Circles Canadian Tour & 2 US Fests starts September 13th

Russian Circles headlining Canadian tour starts on September 13th with The Atlas Moth as support on all shows. They will also play two US festivals at the end of the run, the first in Minneapolis on Sept 26th at The Downtown Festival with Deafheaven, then ending in Dallas, TX where they will play Index Festival with Palms on 9/28.



09/13  London, ON @ Rum Runner Room (London Music Hall) #
09/14  Montreal, QC @ Cabaret Mile End #
09/15  Toronto, ON @ Lee’s Palace #
09/18  Winnipeg, MB @ Pyramid #
09/20  Calgary, AB @ Palomino #
09/22  Vancouver, BC @ Rickshaw Stop #
09/24  Edmonton, AB @ Pawn Shop #
09/26  Minneapolis, MN @ Downtown Festival @ Skyway Theater **
09/ 27- 28  Dallas, TX @ Index Festival ^^

# w/ The Atlas Moth
** w/ Deafheaven,The Atlas Moth & False
^^ w/ Palms, Senses Fail, Joyce Manor, Zorch


Australian Tour starts Tonight April 29th - Interview with Russian Circles

Ahead of their third Australian tour, Mike Sullivan of instrumental trio Russian Circles talks to Matthew Tomich about the songwriting process, expectations and working with Chelsea Wolfe.


Russian Circles deal in polarities. From minimalist progressions to expansive crescendos, the Chicago trio’s sound oscillates from one extreme to another. Over the course of five albums and ten years, the they’ve made a career of defying the clichés of post-rock, eschewing delay pedal abuse and the loud/quiet/loud dynamic in favour complex song structures, gargantuan rhythms and unpredictable movements. For guitarist Mike Sullivan, it’s all about the emotion.

“That’s the most important part, the feeling of it.That’s the only real point — that it sits with you at an emotional level. Not just, ‘oh, that’s a cool riff, that’s a cool drum solo,’ but that it just kind of creeps into the dark spots settles somewhere.”

Those dark spots are most apparent on Russian Circles’ fifth record, Memorial. While the trio’s brand of post-rock has rarely been described is rarely described as uplifting, Memorial is easily the their most downbeat record. “It’s more melancholic, a little more bleak and more intense overall, and that’s pretty much the point,” says Sullivan. “The song titles have a meaning to us — cryptic meanings, different meanings to all of us in a way — but the whole point is how it makes you feel.”


By Greg Kot for Chicago Tribune Russian Circles works in a relatively esoteric area – an...

By Greg Kot for Chicago Tribune

Russian Circles works in a relatively esoteric area – an instrumental trio that finds the sweet spot at the intersection of metal, hard rock, progressive and experimental music. Its five albums, culminating with last year’s elegiac “Memorial" (Sargent House), demonstrate just how expressive and dynamic a rock band without a lead vocalist can be. If an album can be both thrashy and poignant, “Memorial” is it.


Metal Assault Live Review: Russian Circles at EL Rey w / video of Chelsea Wolfe performing "Memorial"

March 10th 2014, The El Rey Theatre, Los Angeles CA: Chicago-based instrumental heavy rock trio Russian Circles have been going from strength to strength in recent years, and since the last time I saw them headline the Troubadour in December 2011, they’ve traveled quite a fair distance as a band, literally and figuratively. Their latest album ‘Memorial’ has gained widespread praise and as a consequence, they’ve been getting booked on plenty of tours both as headliners and opening act. Currently, they’re approaching the end of a headline US tour with support from Helms Alee and KEN Mode, and played at a Sold-Out El Rey Theater in Western Los Angeles last night.

Rock/metal shows here are few and far between, but it’s always great to visit this lovely venue and last night was no different in that regard…